Sunrise Abstract

This sunrise was photographed 10 minutes before the one that I began the new year with, just a bit along the rocks from that photo. I decided to try getting a shot of the sunrise while moving the camera. In the top picture I moved the camera continuously during the exposure, in the bottom picture I held it still momentarily and then moved it, tyring to stay more parallel with the horizon than I did with the first one.

If you want a sense of what I was working with, look at the photo from January 1st linked above. Foreground in these photos is pale bedrock with yellow-orange lichen from a higher vantage point than the linked image.

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Images taken at ISO 100, F22, 4 seconds for top picture, 3.2 seconds for bottom one, polarizing filter. Canon EOS 5D MkII, Canon 50mm f1.4 lens.

21 thoughts on “Sunrise Abstract

  1. I love the rich colors and tones you’ve pulled out of this scene with the great composition you employed! Great photographs, my friend, I love how diverse your works are.

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    • Hi Toad – diversity is arising from experimenting and seeing what other people are doing and trying to replicate it, sometimes successfully, usually only half way there. This is a good example – I was not thinking to try this out but accidentally pressed the shutter when I was moving my tripod and while that one did not work, it made me think I should just give it a try. Not a lot of thought in this, quite a bit of luck. But instructive I think – the colours and composition and so on – they all matter just as much (if not more) than for a similar view that is in focus. That is what I take away from this exercise.

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  2. Pingback: Ocean Post Sunrise « burnt embers

    • Hi David – thanks a lot. I really should experiment with this some more, I suspect that there are some factors of lighting and colour that make it more or less likely to be an effective method.

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    • Hi James – nice to have you back for a visit. Thanks for the comment – I guess its a form of painting with light when you swish the camera around while its gathering the light, similar to a long exposure on a tripod and moving lights around in the image, just a lot less controlled. I was surprised it worked out so well.

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    • Hi skadhu – thank you in general terms. I am unfamiliar with Gordon Smith’s work – thanks for the link, and for mentioning him. A google search showed up some other paintings of his that look very interesting too.

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    • Thank you Mathias. I was pleasantly surprised with this effect too. It is consistent with the other long exposures I have been doing, and yet quite different.

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