Diagonal IV
Diagonal in green, part of the series. When I processed this one, I knew I had to go back to my horizontal shots and process one of them the same way too, which I posted here.
If you have comments, I will get back to them at the end of the weekend or whenever I get home.
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Canon EOS 5D MkII, Canon 50mm/f1.4 lens, ISO800, f2.8, 1/5000th Processed in Lightroom 4 and Topaz B&W Effects.
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burnt embers 
Beautiful. I like the softness of it. It reminds me of your leaf closeups.
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Thanks Karen. I must do some more leaf closeups. Soft ones.
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Beautiful, ehpem.
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Thank you Ashley!
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I’m beginning to think you have an eye for this sort of image – the artist coming out ….. 🙂
David.
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Egads! Don’t mention it to anyone! I just spent a weekend shooting hundreds of documentary shots of people at work in bogs and on small lakes (doing paleoenvironmental coring) and artistic does not go too well in that environment. I did also get a helicopter ride up a very remote inlet and into the adjacent mountains, and that was both wonderful and gave me an opportunity to shoot the textures of forests from above, and the edge of bedrock seashores too. Some of that might show up soon.
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Ha, sorry but the evidence is there in front of my eyes 🙂
I do know what you mean though, about the documentary sort of stuff – I get the odd task here and always the stipulation that you are not to take an hour over each photograph……! as if, but that seems to be the reputation I have.
Helicopters… no, no not if I can help it; they are like Bumble Bees, noisy (although as I have never been on a civilian version, maybe I am disparaging them without justification) does sound as if you have had a good time though.
David.
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I did have a good time. The helicopter took me somewhere I would not otherwise have been able to go, so I enjoyed the trip. I do dislike them when they flying overhead when I am in an otherwise quiet and peaceful setting.
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Another winner. I love the textures in both colour blocks.
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Thanks Mike – they are quite different aren’t they? I like the way the colour abstracts the shot more than the angle alone would.
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