Macro Teaser
This post is a teaser of things to come. It teases me because I am dying to see what is possible using my Canon 5Dii when the adapter finally arrives. And it is a teaser because these examples are very casual photographs that were more about testing to see that the gear will work than about taking good pictures – very little attention to lighting, to backgrounds, to set up, and so on. So, what am I talking about?
Gear, I am afraid. Serious macro gear. My regular readers will know I love macro photography. And that is why the picture above is of a steel ruler, the black lines are 1mm marks on its edge. If you couldn’t care less about gear, then just look at the photos, they have short captions without too much gear talk in them.
The other day, after putting off for too long getting a print made for Melinda Green Harvey, I finally got everything sorted out and went to do it. I had no choice in parking and ended up beside a second hand store with a going-out-of-business sign. I had to have “a quick look” and of course there was something just waiting for me. Melinda told me it was procrastination paying off, and maybe she is right.
That something was a Canon FL Bellows unit in excellent condition (it also comes with a slide and negative copying attachment). I talked the store keeper down to $25 and went away happy. The bellows takes Canon FD mount lenses of which there happened to be a couple in this household. My Canon EOS mount camera needs an adapter to fit on the bellows and sadly no one in town has one, so it is on order. In the meantime, my son’s Micro 4/3’s Lumix G10 does have a Canon FD adapter (hence the lenses). So, today I show you some shots taken with that camera through the bellows. The Lumix has a much smaller sensor than my camera, no way to focus with a magnified live view (that I could find anyway) and lacks a number of other features that my camera has and which I could have done with. So, overall I was not expecting highest quality images, more I was just trying to get the feel of things during what seems like an interminable wait for the adapter to come from Asia. Hence also the casual nature of these shots – these are my second try with the bellows, and first try with all the parts in one place.
Taking all of that into consideration, I am pretty excited about what I am going to be able to do with this unit. Initial experiments with a Cymko 28mm f2.8 macro FD mount lens were disappointing due to a great deal of chromatic aberration. Besides that, I had to take the front filter off the lens in order to get close enough to focus, blocking the light. Trials with a Canon 50mm f1.8 that I picked up a few months ago for $2 were quite good, no fringing etc, but there was something a bit lacking and again the lens was close to the subject. During my research into the bellows I realised I had seen a Canon extension tube (or ‘lens size adapter’ as they call it) which was made for macro work at the second-hand store. I went back for it ($6), mostly because I knew also that there was a pretty reasonably priced Canon FD 50mm f3.5 macro lens for sale at Camera Traders here in town and that was the lens that the bellows unit was most often used with. The extension tube was expressly designed to work with that lens for doubling its magnification to 1:1 when attached directly to the camera. An interesting feature is that the lens when mounted on the extension tube is rotated with the “underside” up, and on that side there is a second ring of f-stop labels which are adjusted to reflect the loss of light from the extension tube. It moves from a f3.5 to an f5.0 lens with the tube attached. I hate to think what effective f-stop it is at with the bellows unit – must be something like f-100. When I went to Camera Traders to look at the macro lens I found that they also had a ‘macro photo coupler’ which allows one to mount a lens backwards for greater magnification and a bit more distance from the subject. They took an offer of $100 for the lens and coupler, which was not exactly a bargain, but the lens is optically superb and exactly what I needed, so a pretty good deal I think and no waiting involved.
And so, that is the gear that lurks behind these shots- it cost me less than $150 (including the adapter when it arrives). Now that might seem like a lot, but compared to a lens of comparable performance, or equivalent new gear, it is probably less than 10% what I would otherwise be looking at (and not buying).
All but one shot of the coin are taken with the bellows at full extension with the extension tube and coupler and reversed macro lens used in combination. This is maxing out the magnification to see how it all works. I have not calculated the magnification, but I am thinking it must in the X6 to X8 range with this crop sensor (which introduces its own magnification as well). I have included in the gallery below a few photos of the same objects taken months ago with macro lenses where the magnification is known from the lens – the captions make these clear. None of the images are cropped except one from the Takumar macro.
Below is a picture of the set up, with the small clothing snap (in picture above) being the subject (partially hidden by the flashlight). The cat is snoozing in the background by the fire (where else?).
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- Canon Bellows FL and other attachments, snap fastener next to flashlight, metal bead next to corner of purse
- Steel ruler detail – mm marks on brushed stainless steel
- Canadian nickle at least magnification with Canon macro lense
- Canadian nickle detail at highest magnification
- Computer bolt
- Signature on replica point taken with Takumar 100mm f4 macro lens, ca 0.5X magnification but cropped so probably about 1:1.
- Signature of replica chipped stone point with bellows
- Edge of a replica chipped stone point, obsidian, with bellows.
- Metal bead from Egypt, 5x magnification taken with Canon MP-E 65mm macro lens
- Metal bead from Egypt
- Coral bead
- Snap fastener at 5X magnification taken with Canon MP-E 65mm lens
- Snap fastener detail with bellows
- Snap fastener detail 2 with bellows
- Glass bead from Africa
- Tiny shell
- Small crab, pincer
- Small crab, rear leg
- Machine made lace detail
- Sponge from Haida Gwaii
- Sponge from Haida Gwaii 2
- Detail of a tiny sea urchin
- Detail of a tiny sea urchin 2
- Head of Pin. Zero dancing angels counted.
- Points of pins.
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Lumix G10, Canon FD 50mm f3.5 Macro Lens, Canon Life Size Adapter, Canon Macro Photo Coupler, Canon Bellows FL, ISO100, various exposures. A few shots (the black and white ones) are HDR from 3 brackets. Lit with a small white LED flashlight, room lights and for some shots also a small red LED flashlight.
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This is getting up close and personal on a serious scale. Fantastic. The pin points with the seemingly oh so distant background is a favourite.
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Thanks Mike. I like that one too – the bent pin tip on what seems to be a sharp pin is interesting.
I have discovered that the Lumix with its much smaller sensor gives quite a bit higher magnification than I can get with full sized sensor now that I have an adapter. I might have to borrow that camera sometimes for that extra bit, but only with really good lighting as it does not perform as well in low light. Or, I guess I could crop.
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It’s astounding. I haven’t attempted to swoop in so close. Next purchase for the Fuji may be a macro lens!
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Go for it! Your new camera can adapt to many different kinds of old lenses (which can be very affordable) and there are some very fine older macros out there – this Canon FD 50mm/f3.5 for instance is every bit as good optically as my newish Canon EF 100mm/f2.8 macro. And yesterday I was given a Micro-Nikkor 55/f3.5 that intial tests show to be a marvellous lens. Combine with extension tubes you can get some serious magnification out of lenses like these, or if you luck out and find a cheap bellows unit, then you are set for some serious magnification (though pretty much tethered to shooting unmoving subjects in the house or maybe the garden).
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MIke, you have probably seen this post during your research, but if not is shows some of what you can do with your new camera and old glass: http://www.stevehuffphoto.com/2012/10/22/my-first-week-fuji-x-e1-review-with-x-and-m-lenses-by-amy-medina/
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Gosh this is exciting, Ephem! What a cool way to explore the world. Amazing!
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It is going to be a lot of fun. And, if I could combine it with your kind of exposures and sensibility for composition it could be a truly remarkable project. Maybe I will get there. Though I actually have in mind, for the beginning anyway, trying to master the very crisp views of tiny things. Best to get the technical stuff under my belt first I expect, then manipulate it at will rather than by accident.
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I sense a lot of fun upcoming in your household in the very near future. Macro (and micro) is a great way to spend those long winter nights and very creative as well. And you have an abundance of toys to play with, too. The bead from Africa photo is frame worthy.
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Hi Ken. I am sensing that too. I feel rather impatient about the whole thing. Perhaps it will give me time to get better prepared than usual. I also want to see how it works out for slide and negative duplication, which has its own set of challenges.
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I love, love, love this kind of work and am VERY excited to see what you pull off when you have all the bits in place!! Great set here, my friend, talk about wetting an appetite!!
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Hi Toad. I am itching to get at it, and will have to wait to January before I can try. Shame to be losing all that holiday time. Maybe the Lumix will just have to go on serving a proxy role for the 5Dii. There is a great deal to learn about this kind of work, and I have yet to scratch the surface.
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Wow – I enjoyed seeing these. My favorite shot was the African glass bead. My favorite comment was re. the head of the pin!
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Thanks Melinda. I have to give that pin comment to my partner, it was the question she asked me when she saw the shot.
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Extraordinary detail. It’s another world entirely!
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Hi Andy – that is what I like about these high magnifications – they open up another world to our view.
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I love these ones, especially the obsidian
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Thank so much! I like the obsidian too – it looks so different than to the naked eye.
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