Fliptych Diamonds
Another photo taken at the Port Renfrew bridge on the west coast of Vancouver Island. I previously posted a picture of a canoe passing under my feet on a bridge, and of it emerging from behind a bridge footing. This time it is shot as a fliptych, where I rotate the half-frame Pen 180 degrees between shots.
I prefer the abstraction into diamonds of the sideways version above. Again it is a toss-up between the colour and black and white, though at the time of writing I prefer the colour. The not-sideways version is at the bottom, and I expect some of you will prefer that too.
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This continues my half-frame film series, and another of the multitychs which are two or more photographs shot on adjacent half-frames with the intent to scan them as a single image.
Olympus Pen, Half Frame, 28mm lens, Fujicolor Superia 200, ISO200, 1/100th, f11, NDX4 filter
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burnt embers 
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This has to be in colour and the horizontal one works best. It somehow defies all logic at first glance. This series just gets better! Well done, Ehpem.
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Hi Andy. Sorry for the long delay in responding to comments. I am glad you like it. The lack of first-glance logic is a real bonus, it makes me (and I expect others) take a closer look. And that is good.
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You might think my account has been hacked but it really IS me and I really DO prefer the color version! It is more lively, I guess, and that yellow line adds a lot to the overall composition.
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Thank you Melinda. It is strange how some photos just have to have the colour in them. I think it adds to the confused patterns and makes it even more abstract.
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In this case, the green wood and that yellow railing are too good to convert to B&W.
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That yellow railing has a story to tell – the necessity for it speaks to cars punching through the green, and splashing down below.
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