I could not remember if I had advanced the film after the first shot I took of this safe which is sitting out in the rain.
So, I left it alone and took another shot, thinking if it was a double exposure, it would work well, and besides which, it was the safe thing to do!
So this is an intentional double, but also unintentional.
The Yashica 44 does not have a linkage between the shutter release and the winding mechanism, so you have to make sure you advance the film as soon as you take a picture.
I am finding this hard to remember.
Occasionally when testing a new camera I train it on things around the house.
As it happened when I was trying out a Yashica 44 TLR camera, there was a huge game of queen of the hill going on upon the table.
The young ladies involved are the Quimper Hittys, most of them carved by my partner.
Their adventures are documented at this link.
The low light meant I could test the lens at (more…)
In a previous post I showed a different view of this shovel, taken with a medium format camera in portrait mode, shot in colour and converted to black and white.
But at the same time, I pulled this tiny camera from my pocket and took a shot on 35 mm black and white film as well.
As mentioned before, this is in the Mews, around back at Government House in Victoria.
Langley Street laundry line – I guess someone is living back here and needed to dry out their blanket.
Or maybe it was a gift, left out for the needy.
Captured on my first roll of JCH Street Pan 400.
Docks brought into quieter waters for the winter.
From my first roll of JCH Street Pan 400.
Seen in a store in Fan Tan Alley in Victoria’s Chinatown.
From my first roll of JCH Street Pan 400.
Test shots from my first roll through a Mamiya RB67. This camera is big, and heavy and makes large negatives, with loads of luscious detail.
See my About page for details.
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