Yet more shots from the bellows macro, this time of a rhododendron blossom, clearly showing the petal’s cells in the top image, and the pollen grains on the anther in the middle image.
Not to rub it in or anything, but we have a spectacular rhododendron in full flower in our garden right now.
Another in a set of sunrise pictures, the first of which I showed just before Christmas. That first one is near the beginning of the series and this near the end after the sun had disappeared behind the dense cloud just above the horizon. It is taken with a wider angle lens.
Happy New Year everyone!
This is one of my favourite cups from which to drink tea. I use it almost daily. Why it is a favourite should, I hope, be obvious to anyone. It has such fantastic form, decoration and colours. But also, the indentations in the cup make it easier to hold, it feels more comfortable than most cups and less like it might slip from the hand. It just feels like it was made to be in my hand, which counts for a lot.
Recently I showed high magnification macros of crystals on two of Gordon Hutchens’ pots and today I show just this one cup that I was given for a wedding anniversary present last year. Gordon is a potter based on Denman Island which is one of the Gulf Islands and located a few hours north of Victoria (see this link for his website).
This cup comes from, I am pretty sure, his Anagama wood fired kiln. This is a traditional style of Japanese kiln which climbs a hillside distributing the heat through the kiln as it rises up the slope. I would imagine it allows for a much greater volume of kiln to be fired from a fixed amount of wood – kind of like firing in a chimney. It takes about 2 days to fire. During my childhood I helped fire a wood kiln for ~8 hour firings, literally splitting whole trees into kindling to get the desired temperatures, and diving into a nearby lake to cool off many times during the day. I can’t imagine a 2 day firing and when there might be time to relax and sleep. But Gordon’s is a much more efficient kiln than the one at my family summer cottage and perhaps it only needs stoking every hour or two rather than every few minutes. The placement of a pot in the kiln relative to currents of hot air and ash creates the variations in the colour and lustre of the unglazed portions of the pot surface. It is because of these wonderfully organic variations that were I forced to choose between the many wonderful types of pottery that Gordon produces, it would have to be these wood fired pieces.
Yet more shots from the bellows macro, this time of a wasp, also found around the house – it came in with fire wood; I volunteered it to be in my photographs.
The wasp had been in the freezer just before I photographed it, hence a bit of frost in some of the photos.
More shots from the bellows macro, this time of mundane objects found around the house. Included are a very fine paintbrush, a ball point pen, fine needle, small safety-pin, head of a safety match, lens cleaning brush, strange wire Christmas decoration and the chipped corner of a welders’ glass that I used as a background for these photos.
Another set of photos of crystalline glaze on a pot made by Gordon Hutchens (see this link for his website), this time a side plate that belongs to my son.
More shots from the bellows macro, this time details of a crystalline glaze on a pot made by Gordon Hutchens, a resident of Denman Island located a few hours north of Victoria (see this link for his website). Hutchens’ pottery is exquisite, his control of the whole process of making a pot as absolute as possible in the medium. His mastery is evident in every single piece that I have seen over the past 20 years and thus it was a real delight to receive this cup for a Christmas present this year. It is pretty amazing what you can see in just one pot of the right kind. I think that this one has delivered the goods big time. And, on top of all this beauty, it is perfect for tea – I have been using it ever since I opened the package.
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